{"id":1737,"date":"2025-02-18T09:56:31","date_gmt":"2025-02-18T09:56:31","guid":{"rendered":"https:\/\/www.maurobiglino.com\/viaggio-nel-mondo-dei-nuraghi\/"},"modified":"2025-02-18T11:09:29","modified_gmt":"2025-02-18T11:09:29","slug":"journey-into-the-world-of-the-nuraghe","status":"publish","type":"post","link":"https:\/\/www.maurobiglino.com\/en\/journey-into-the-world-of-the-nuraghe\/","title":{"rendered":"Journey into the World of the Nuraghe"},"content":{"rendered":"<p>[vc_row fade_scroll=&#8221;yes&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610425174{padding-bottom: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text el_class=&#8221;abstract&#8221;]<span style=\"font-weight: 400;\">The documentary <\/span><b>\u201cJourney into the World of the Nuraghe\u201d<\/b><span style=\"font-weight: 400;\"> accompanies the audience on a discovery of the <\/span><b>Nuragic civilization<\/b><span style=\"font-weight: 400;\">, one of the most enigmatic and fascinating in the Mediterranean. Through the voices of <\/span><b>Mauro Biglino<\/b><span style=\"font-weight: 400;\"> and <\/span><b>Gian Matteo Corrias<\/b><span style=\"font-weight: 400;\">, the journey winds through archaeological sites, mysterious inscriptions and surprising connections with the Near East.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This journey is divided into four episodes, each dedicated to a key aspect of Nuragic culture: from its <\/span><b>social and architectural structure<\/b><span style=\"font-weight: 400;\"> to its <\/span><b>religious cult<\/b><span style=\"font-weight: 400;\">, to <\/span><b>writing<\/b><span style=\"font-weight: 400;\"> and the enigmatic <\/span><b>tombs of the giants<\/b><span style=\"font-weight: 400;\">. Each episode explores the latest discoveries and hypotheses, shedding new light on a civilization that, far from being isolated, was deeply interconnected with the great cultures of the ancient Mediterranean.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h2>Episode 1: The Nuragic Civilization<\/h2>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610643039{margin-top: 30px !important;margin-bottom: 50px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/LnDsQzX7uzI&#8221; align=&#8221;center&#8221;][vc_column_text css=&#8221;.vc_custom_1739875981500{margin-top: 10px !important;margin-bottom: 0px !important;}&#8221;]<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #808080; font-size: 14px;\"><em>English subtitles<\/em><\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<span style=\"font-weight: 400;\">In the first episode, the authors guide us through a fascinating exploration of the <\/span><b>Nuragic civilization<\/b><span style=\"font-weight: 400;\">. Comparing this experience to the <\/span><i><span style=\"font-weight: 400;\">Grand Tours<\/span><\/i><span style=\"font-weight: 400;\"> that 19th-century European intellectuals undertook in Italy, <\/span><b>Biglino<\/b><span style=\"font-weight: 400;\"> and <\/span><b>Corrias<\/b><span style=\"font-weight: 400;\"> take us on a journey of discovery through history and archaeology, and the surprising connections between <\/span><b>Sardinia<\/b><span style=\"font-weight: 400;\"> and the <\/span><b>Middle East<\/b><span style=\"font-weight: 400;\">.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:40px|margin_bottom_small:20px&#8221;][vc_column][vc_single_image image=&#8221;1639&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>The legacy of the Nuragic civilization<\/h3>\n<p><span style=\"font-weight: 400;\">Sardinia is scattered with evidence of its ancient civilization: <\/span><b>nuraghi, tombs of the giants, sacred wells and megaron temples<\/b><span style=\"font-weight: 400;\">. These imposing structures tell the story of a complex culture that has its roots in the <\/span><b>Neolithic<\/b><span style=\"font-weight: 400;\"> period and developed with the <\/span><b>working of bronze<\/b><span style=\"font-weight: 400;\">, until the arrival of the <\/span><b>Carthaginians<\/b><span style=\"font-weight: 400;\"> and the <\/span><b>Romans<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">According to historical sources, the Nuragic society was <\/span><b>aristocratic and hierarchical<\/b><span style=\"font-weight: 400;\">, composed of <\/span><b>cantons<\/b><span style=\"font-weight: 400;\"> governed by <\/span><b>sovereigns <\/b><span style=\"font-weight: 400;\">who perhaps referred to a<\/span><b> heroic origin<\/b><span style=\"font-weight: 400;\">, as seems to be confirmed by the conspicuous Greek sources that speak of archaic Sardinia.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Some archaeological sites such as <\/span><b>Su Nuraxi di Barumini, Santu Antine di Torralba<\/b><span style=\"font-weight: 400;\"> and <\/span><b>Arrubiu di Orroli<\/b><span style=\"font-weight: 400;\"> bear witness to the architectural mastery of this civilization, which had a marked capacity for <\/span><b>organization and control of the territory<\/b><span style=\"font-weight: 400;\">.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px|margin_bottom_small:30px&#8221;][vc_column]<style>.carousel-container.ld_carousel_tab_6aa996b31493d .carousel-item{width:100%;flex-basis:100%;padding-inline-start:15px;padding-inline-end:15px;}.carousel-container.ld_carousel_tab_6aa996b31493d .carousel-items{margin-inline-start:-15px;margin-inline-end:-15px;}.ld_carousel_tab_6aa996b31493d.carousel-dots{position:relative;top:auto;right:auto;bottom:0px;left:auto;}.ld_carousel_tab_6aa996b31493d.carousel-dots-mobile.carousel-dots-mobile-outside .flickity-page-dots{margin-top:-20px;}@media (min-width: 768px) {.carousel-container.ld_carousel_tab_6aa996b31493d .carousel-item { width:50%; flex-basis: 50%; }}@media (min-width: 992px) {.carousel-container.ld_carousel_tab_6aa996b31493d .carousel-item { width:50%; flex-basis: 50%; }}@media (min-width: 1200px) {.carousel-container.ld_carousel_tab_6aa996b31493d .carousel-item { width:50%; flex-basis: 50%; }}<\/style><div id=\"ld_carousel_tab_6aa996b31493d\" class=\"carousel-container carousel-nav-left carousel-nav-mobile-center no carousel-nav-md carousel-dots-mobile-center carousel-dots-style1 carousel-dots-mobile-outside ld_carousel_tab_6aa996b31493d\">\n\n\t<div class=\"carousel-items\"  data-lqd-flickity='{\"cellSelector\":\".carousel-item\",\"cellAlign\":\"center\",\"prevNextButtons\":false,\"pageDots\":true,\"fullwidthSide\":true,\"groupCells\":true,\"wrapAround\":true,\"adaptiveHeight\":true,\"pauseAutoPlayOnHover\":false,\"buttonsAppendTo\":\"self\",\"addSlideNumbersToArrows\":false,\"dotsIndicator\":\"dots\",\"numbersStyle\":\"circle\",\"dotsAppendTo\":\"self\"}' >\n\t<div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1647&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1645&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1643&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1641&#8243;]<\/div><\/div><\/div>\t<\/div>\n\n<\/div>[\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>Nuragic writing: a bridge with the Middle East<\/h3>\n<p><span style=\"font-weight: 400;\">One of the most surprising aspects of the documentary is the analysis of <\/span><b>Nuragic writing<\/b><span style=\"font-weight: 400;\">, which has only recently begun to receive the attention it deserves. <\/span><b>Biglino<\/b><span style=\"font-weight: 400;\">, citing the texts of the Sardinian scholar<\/span><b> Luigi Sanna, <\/b><span style=\"font-weight: 400;\">highlights how this writing uses <\/span><b>Semitic linguistic structures and phonemes<\/b><span style=\"font-weight: 400;\">, showing clear connections with <\/span><i><span style=\"font-weight: 400;\">Proto-Canaanite<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">Proto-Sinaitic<\/span><\/i><span style=\"font-weight: 400;\"> scripts. Among the most fascinating elements highlighted by Corrias and Biglino is the presence of the name <\/span><b>\u201cYah\u201d<\/b><span style=\"font-weight: 400;\">, which recalls the god <\/span><b>Yahweh<\/b><span style=\"font-weight: 400;\"> of ancient <\/span><b>Israel<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">How can the name of a deity considered exclusively linked to the people of Israel be found in Sardinia? This discovery opens up unexpected scenarios, suggesting that the <\/span><b>contacts between the Mediterranean and the Middle East<\/b><span style=\"font-weight: 400;\"> were deeper than is commonly believed. Not only through <\/span><b>commercial or military exchanges<\/b><span style=\"font-weight: 400;\"> (as in the case of the <\/span><b>Shardana<\/b><span style=\"font-weight: 400;\">, linked to <\/span><b>Egypt<\/b><span style=\"font-weight: 400;\">), but also from a <\/span><b>cultural and religious<\/b><span style=\"font-weight: 400;\"> point of view.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:50px|margin_bottom_small:30px&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_single_image image=&#8221;1650&#8243; alignment=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>The central role of the nuraghe in ancient society<\/h3>\n<p><span style=\"font-weight: 400;\">The <\/span><b>nuraghe<\/b><span style=\"font-weight: 400;\">, the symbol par excellence of the civilization of the time, were not simply defensive constructions, but probably had a <\/span><b>multifunctional<\/b><span style=\"font-weight: 400;\"> role. Some were <\/span><b>fortresses<\/b><span style=\"font-weight: 400;\">, others <\/span><b>places of worship<\/b><span style=\"font-weight: 400;\">, and others still <\/span><b>centers of social and political aggregation<\/b><span style=\"font-weight: 400;\">. Over time, their function changed: if initially they were <\/span><b>aristocratic and prestigious<\/b><span style=\"font-weight: 400;\"> structures, from the <\/span><b>10th century BC<\/b><span style=\"font-weight: 400;\"> they were reinterpreted and some were <\/span><b>converted into Nuragic sanctuaries<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">An emblematic example is the nuraghe<\/span><b> Su Mulinu di Villanovafranca<\/b><span style=\"font-weight: 400;\">, which preserves a peculiar <\/span><b>votive altar<\/b><span style=\"font-weight: 400;\">, probably used for <\/span><b>sacred rites<\/b><span style=\"font-weight: 400;\"> related to <\/span><b>fire and water<\/b><span style=\"font-weight: 400;\">.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px|margin_bottom_small:30px&#8221;][vc_column]<style>.carousel-container.ld_carousel_tab_6aa996b316d34 .carousel-item{width:100%;flex-basis:100%;padding-inline-start:15px;padding-inline-end:15px;}.carousel-container.ld_carousel_tab_6aa996b316d34 .carousel-items{margin-inline-start:-15px;margin-inline-end:-15px;}.ld_carousel_tab_6aa996b316d34.carousel-dots{position:relative;top:auto;right:auto;bottom:0px;left:auto;}.ld_carousel_tab_6aa996b316d34.carousel-dots-mobile.carousel-dots-mobile-outside .flickity-page-dots{margin-top:-20px;}@media (min-width: 768px) {.carousel-container.ld_carousel_tab_6aa996b316d34 .carousel-item { width:50%; flex-basis: 50%; }}@media (min-width: 992px) {.carousel-container.ld_carousel_tab_6aa996b316d34 .carousel-item { width:50%; flex-basis: 50%; }}@media (min-width: 1200px) {.carousel-container.ld_carousel_tab_6aa996b316d34 .carousel-item { width:50%; flex-basis: 50%; }}<\/style><div id=\"ld_carousel_tab_6aa996b316d34\" class=\"carousel-container carousel-nav-left carousel-nav-mobile-center no carousel-nav-md carousel-dots-mobile-center carousel-dots-style1 carousel-dots-mobile-outside ld_carousel_tab_6aa996b316d34\">\n\n\t<div class=\"carousel-items\"  data-lqd-flickity='{\"cellSelector\":\".carousel-item\",\"cellAlign\":\"center\",\"prevNextButtons\":false,\"pageDots\":true,\"fullwidthSide\":true,\"groupCells\":true,\"wrapAround\":true,\"adaptiveHeight\":true,\"pauseAutoPlayOnHover\":false,\"buttonsAppendTo\":\"self\",\"addSlideNumbersToArrows\":false,\"dotsIndicator\":\"dots\",\"numbersStyle\":\"circle\",\"dotsAppendTo\":\"self\"}' >\n\t<div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1659&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1657&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1655&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1653&#8243;]<\/div><\/div><\/div>\t<\/div>\n\n<\/div>[\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:50px&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>Symbolism and religious connections<\/h3>\n<p><span style=\"font-weight: 400;\">Another very interesting element that emerged in the documentary concerns the symbolism of the <\/span><b>bull and the moon<\/b><span style=\"font-weight: 400;\">, present in the sacred decorations of the Nuragic civilization. This symbolism finds correspondences in the cult of <\/span><b>Yahweh<\/b><span style=\"font-weight: 400;\"> and the <\/span><b>Semitic lunar deities<\/b><span style=\"font-weight: 400;\">, once again suggesting a <\/span><b>link between the Nuragic world and the Near East<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><b>Biglino<\/b><span style=\"font-weight: 400;\"> emphasizes how the <\/span><b>Bible<\/b><span style=\"font-weight: 400;\"> forbids the <\/span><b>Israelites<\/b><span style=\"font-weight: 400;\"> to depict divinities, while in <\/span><b>Sardinia<\/b><span style=\"font-weight: 400;\"> there are numerous <\/span><b>symbolic representations<\/b><span style=\"font-weight: 400;\">. This could suggest a less dogmatic relationship with the divinity, or a different interpretation of the figure of <\/span><b>Yahweh<\/b><span style=\"font-weight: 400;\"> himself.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The <\/span><b>first episode<\/b><span style=\"font-weight: 400;\"> lays the foundations for an investigation that crosses <\/span><b>archaeology, philology and religion<\/b><span style=\"font-weight: 400;\">. The idea that <\/span><b>Sardinia<\/b><span style=\"font-weight: 400;\"> may have been a <\/span><b>crossroads of cultural contacts with the Middle East<\/b><span style=\"font-weight: 400;\"> opens up new research perspectives and makes the discovery of this civilization even more fascinating.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h2>Episode 2: The Nuragic Cult<\/h2>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610643039{margin-top: 30px !important;margin-bottom: 50px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/GXMeoN44DIo&#8221; align=&#8221;center&#8221;][vc_column_text css=&#8221;.vc_custom_1739875981500{margin-top: 10px !important;margin-bottom: 0px !important;}&#8221;]<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #808080; font-size: 14px;\"><em>English subtitles<\/em><\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<span style=\"font-weight: 400;\">The Iron Age in Sardinia was a period of great transformations, affecting both the sociopolitical structure and the nature of the Nuragic Sardinian religion. One of the most fascinating expressions of this religious evolution is represented by the <\/span><b>\u201cmegaron\u201d temples<\/b><span style=\"font-weight: 400;\">, sacred buildings peculiar to the Nuragic civilization that offer a unique interpretation of the spirituality and rituals of this ancient population.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px|margin_bottom_small:30px&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1664&#8243; alignment=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1662&#8243; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>The \u201cMegaron\u201d Temples: architecture and function<\/h3>\n<p><span style=\"font-weight: 400;\">The \u201cmegaron\u201d temples, as they were defined by the archaeologist Doro Levi in the 1930s, are characterized by their elongated rectangular plan and the internal subdivision into several rooms. The innermost one, the <\/span><b>naos<\/b><span style=\"font-weight: 400;\">, was the sacred heart of the temple, where the ritual altar-hearth, the central element of the cult, was located.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">These buildings were surrounded by a <\/span><b>temenos<\/b><span style=\"font-weight: 400;\">, a sacred enclosure that delimited the area of worship and was used to collect votive offerings, celebrate ceremonies and welcome pilgrims, who were not allowed inside the temple. An extraordinary example of this structure can be found in the small temple A of <\/span><b>Serra Orr\u00edos<\/b><span style=\"font-weight: 400;\">, whose vast temenos (about 1364 square meters) emphasizes the role of these spaces not only as religious centers, but also as places for social gatherings, markets and community banquets.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px|margin_bottom_small:30px&#8221;][vc_column]<style>.carousel-container.ld_carousel_tab_6aa996b323a05 .carousel-item{width:100%;flex-basis:100%;padding-inline-start:15px;padding-inline-end:15px;}.carousel-container.ld_carousel_tab_6aa996b323a05 .carousel-items{margin-inline-start:-15px;margin-inline-end:-15px;}.ld_carousel_tab_6aa996b323a05.carousel-dots{position:relative;top:auto;right:auto;bottom:0px;left:auto;}.ld_carousel_tab_6aa996b323a05.carousel-dots-mobile.carousel-dots-mobile-outside .flickity-page-dots{margin-top:-20px;}@media (min-width: 768px) {.carousel-container.ld_carousel_tab_6aa996b323a05 .carousel-item { width:50%; flex-basis: 50%; }}@media (min-width: 992px) {.carousel-container.ld_carousel_tab_6aa996b323a05 .carousel-item { width:50%; flex-basis: 50%; }}@media (min-width: 1200px) {.carousel-container.ld_carousel_tab_6aa996b323a05 .carousel-item { width:50%; flex-basis: 50%; }}<\/style><div id=\"ld_carousel_tab_6aa996b323a05\" class=\"carousel-container carousel-nav-left carousel-nav-mobile-center no carousel-nav-md carousel-dots-mobile-center carousel-dots-style1 carousel-dots-mobile-outside ld_carousel_tab_6aa996b323a05\">\n\n\t<div class=\"carousel-items\"  data-lqd-flickity='{\"cellSelector\":\".carousel-item\",\"cellAlign\":\"center\",\"prevNextButtons\":false,\"pageDots\":true,\"fullwidthSide\":true,\"groupCells\":true,\"wrapAround\":true,\"adaptiveHeight\":true,\"pauseAutoPlayOnHover\":false,\"buttonsAppendTo\":\"self\",\"addSlideNumbersToArrows\":false,\"dotsIndicator\":\"dots\",\"numbersStyle\":\"circle\",\"dotsAppendTo\":\"self\"}' >\n\t<div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1670&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1668&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1666&#8243;]<\/div><\/div><\/div>\t<\/div>\n\n<\/div>[\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>Rituals and offerings: a heritage of bronze figurines and votive swords<\/h3>\n<p><span style=\"font-weight: 400;\">Archaeological excavations have uncovered a significant number of <\/span><b>votive deposits<\/b><span style=\"font-weight: 400;\">, mainly consisting of small bronze figures depicting animals, boats and warriors, as well as votive swords and metal and clay containers. These objects not only bear witness to the devotion of the community, but also help to date the use of the sanctuaries between the <\/span><b>Middle Bronze<\/b><span style=\"font-weight: 400;\"> and the <\/span><b>Early Iron Age<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The <\/span><b>megaron 2 of S&#8217;arcu &#8216;e is Forros<\/b><span style=\"font-weight: 400;\">, in Villagrande Strisaili, is an emblematic example of how temples were modified over time. This sacred building was built on a previous circular temple, combining tradition and architectural innovation. Its votive altar, now preserved in the Archaeological Museum of Nuoro, is distinguished by its <\/span><b>refined two-tone color<\/b><span style=\"font-weight: 400;\"> (trachyte and basalt) and its decoration with <\/span><b>ram protomes<\/b><span style=\"font-weight: 400;\">, a symbol of power and sacredness.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px|margin_bottom_small:30px&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1673&#8243; alignment=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1675&#8243; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>The Sacred Wells and the Cult of Water: Nuragic astronomical machines?<\/h3>\n<p><span style=\"font-weight: 400;\">Megaron temples have often been associated with the <\/span><b>cult of water<\/b><span style=\"font-weight: 400;\">, a fundamental sacred element in Nuragic Sardinia. Sacred wells, such as the one in <\/span><b>Santa Cristina in Paulil\u00e0tino<\/b><span style=\"font-weight: 400;\">, were made with openings designed to <\/span><b>measure astronomical phenomena<\/b><span style=\"font-weight: 400;\"> such as the solstices and the full moon. This precision suggests that the Nuragic people had advanced knowledge in the field of astronomy, an aspect that raises questions about their scientific culture.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The idea that shepherds and farmers could build such complex structures has often been met with skepticism, but archaeological data shows how the Nuragic cult was closely connected to knowledge of the cosmos. An interesting comparison emerges with the <\/span><b>sacred hills mentioned in the Bible<\/b><span style=\"font-weight: 400;\">, which were home to cults other than that of Yahweh, and which suggest a common conception of the hill as a <\/span><b>privileged place for contact with the divine<\/b><span style=\"font-weight: 400;\">.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px|margin_bottom_small:30px&#8221;][vc_column]<style>.carousel-container.ld_carousel_tab_6aa996b34803e .carousel-item{width:100%;flex-basis:100%;padding-inline-start:15px;padding-inline-end:15px;}.carousel-container.ld_carousel_tab_6aa996b34803e .carousel-items{margin-inline-start:-15px;margin-inline-end:-15px;}.ld_carousel_tab_6aa996b34803e.carousel-dots{position:relative;top:auto;right:auto;bottom:0px;left:auto;}.ld_carousel_tab_6aa996b34803e.carousel-dots-mobile.carousel-dots-mobile-outside .flickity-page-dots{margin-top:-20px;}@media (min-width: 768px) {.carousel-container.ld_carousel_tab_6aa996b34803e .carousel-item { width:50%; flex-basis: 50%; }}@media (min-width: 992px) {.carousel-container.ld_carousel_tab_6aa996b34803e .carousel-item { width:50%; flex-basis: 50%; }}@media (min-width: 1200px) {.carousel-container.ld_carousel_tab_6aa996b34803e .carousel-item { width:50%; flex-basis: 50%; }}<\/style><div id=\"ld_carousel_tab_6aa996b34803e\" class=\"carousel-container carousel-nav-left carousel-nav-mobile-center no carousel-nav-md carousel-dots-mobile-center carousel-dots-style1 carousel-dots-mobile-outside ld_carousel_tab_6aa996b34803e\">\n\n\t<div class=\"carousel-items\"  data-lqd-flickity='{\"cellSelector\":\".carousel-item\",\"cellAlign\":\"center\",\"prevNextButtons\":false,\"pageDots\":true,\"fullwidthSide\":true,\"groupCells\":true,\"wrapAround\":true,\"adaptiveHeight\":true,\"pauseAutoPlayOnHover\":false,\"buttonsAppendTo\":\"self\",\"addSlideNumbersToArrows\":false,\"dotsIndicator\":\"dots\",\"numbersStyle\":\"circle\",\"dotsAppendTo\":\"self\"}' >\n\t<div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1681&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1677&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1679&#8243;]<\/div><\/div><\/div>\t<\/div>\n\n<\/div>[\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1739814448448{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>Symbolism and connections with the Near East<\/h3>\n<p><span style=\"font-weight: 400;\">One of the most surprising aspects of the megaron temples is their extraordinary similarity to Syrian-Palestinian sacred architecture. The <\/span><b>temple of Esterzili<\/b><span style=\"font-weight: 400;\">, known as the <\/span><b>Domu de Org\u00eca<\/b><span style=\"font-weight: 400;\">, has a tripartite structure very similar to the <\/span><b>Temple of Solomon<\/b><span style=\"font-weight: 400;\"> described in the Bible. The presence of sacred enclosures and storerooms for offerings is also a common element in both contexts.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">These correspondences could indicate not only cultural exchanges between Sardinia and the Near East, but also a common <\/span><b>root in the conception of the sacred and the divine<\/b><span style=\"font-weight: 400;\">. Recent epigraphic discoveries in Sardinia even suggest the presence of the name <\/span><b>Yahweh<\/b><span style=\"font-weight: 400;\">, the god of Israel, engraved on Nuragic finds, reinforcing the idea of a link between these distant civilizations.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px|margin_bottom_small:30px&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1684&#8243; alignment=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1686&#8243; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:40px&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>The \u201cmegaron\u201d temples: windows on Nuragic spirituality<\/h3>\n<p><span style=\"font-weight: 400;\">The megaron temples are an extraordinary window on the spirituality of the Nuragic civilization. These buildings, with their decorated votive altars, ritual deposits and their peculiar elevated position, demonstrate a complex and stratified religiosity, linked to fire, water and the stars.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The connections with the Semitic world and the presence of the name Yahweh in Nuragic writing raise fascinating questions about <\/span><b>who the Nuragic Sardinians really were and what their contacts were with the great civilizations of the Mediterranean<\/b><span style=\"font-weight: 400;\">. A mystery that, between archaeology and epigraphy, continues to stimulate research and the curiosity of scholars.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h2>Episode 3: The script of the Nuragic Sardinians<\/h2>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610643039{margin-top: 30px !important;margin-bottom: 50px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/0lmRPdOZ5q4&#8243; align=&#8221;center&#8221;][vc_column_text css=&#8221;.vc_custom_1739875981500{margin-top: 10px !important;margin-bottom: 0px !important;}&#8221;]<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #808080; font-size: 14px;\"><em>English subtitles<\/em><\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<span style=\"font-weight: 400;\">The idea that the Nuragic Sardinians knew and used a writing system was for a long time denied by scholars of traditional doctrine. However, discoveries in recent decades have called this belief into question, bringing to light <\/span><b>hundreds of Nuragic inscriptions<\/b><span style=\"font-weight: 400;\"> that suggest a much more complex and articulated panorama than previously thought.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:50px|margin_bottom_small:30px&#8221;][vc_column][vc_single_image image=&#8221;1689&#8243; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>The Corpus of Nuragic Inscriptions<\/h3>\n<p><span style=\"font-weight: 400;\">One of the most significant contributions was that of <\/span><b>Luigi Sanna<\/b><span style=\"font-weight: 400;\">, who in 2004 published \u201cSardoa Grammata\u201d, a monumental essay resulting from ten years of study of Nuragic written documents. These inscriptions on <\/span><b>clay, stone and metal<\/b><span style=\"font-weight: 400;\">, which numbered a few dozen, have now reached over <\/span><b>300 known finds<\/b><span style=\"font-weight: 400;\">. The most sensational discovery in this context is the <\/span><b>clay vessel of Thetis<\/b><span style=\"font-weight: 400;\">, a clay object dated to the 9th century BC, which has twelve marks engraved <\/span><b>before firing<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">These signs can clearly be traced back to the main <\/span><b>archaic Semitic alphabetic systems<\/b><span style=\"font-weight: 400;\">, in particular <\/span><b>Proto-Canaanite and Proto-Sinaite<\/b><span style=\"font-weight: 400;\">. The presence of these graphemes suggests not only a writing practice, but also a literate culture with its own codified system.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px|margin_bottom_small:30px&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1691&#8243; alignment=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1693&#8243; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>Deciphering and meaning of the inscriptions<\/h3>\n<p><span style=\"font-weight: 400;\">Linguistic analysis of the inscriptions has brought to light a combination of <\/span><b>Semitic and Indo-European<\/b><span style=\"font-weight: 400;\"> elements, testifying to a mixed linguistic influence. An emblematic example is the inscription on the navicella of Teti which reads:<\/span><\/p>\n<p><b>\u201cAg He dhe Yah Nur He\u201d<\/b><span style=\"font-weight: 400;\">, translatable as <\/span><b>\u201cHe, Bull of Yahweh, He, Light\u201d<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The term <\/span><b><i>Ag<\/i><\/b><span style=\"font-weight: 400;\">, which in archaic Sardinian could mean \u201cbull\u201d, refers to an Indo-European root (<\/span><b><i>*ak-<\/i><\/b><span style=\"font-weight: 400;\">) that expresses the concept of \u201csharp, pointed\u201d. The word <\/span><b><i>Nur<\/i><\/b><span style=\"font-weight: 400;\">, of Semitic origin, means <\/span><b>\u201clight\u201d<\/b><span style=\"font-weight: 400;\">, while <\/span><b><i>Yah<\/i><\/b><span style=\"font-weight: 400;\"> corresponds to one of the abbreviated forms of the name <\/span><b>Yahweh<\/b><span style=\"font-weight: 400;\">, known from the biblical tradition.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This combination of elements suggests that the Nuragic Sardinians not only knew how to write, but also possessed a <\/span><b>hybrid linguistic system<\/b><span style=\"font-weight: 400;\">, combining indigenous traditions with external influences.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px|margin_bottom_small:30px&#8221;][vc_column]<style>.carousel-container.ld_carousel_tab_6aa996b3497f9 .carousel-item{width:100%;flex-basis:100%;padding-inline-start:15px;padding-inline-end:15px;}.carousel-container.ld_carousel_tab_6aa996b3497f9 .carousel-items{margin-inline-start:-15px;margin-inline-end:-15px;}.ld_carousel_tab_6aa996b3497f9.carousel-dots{position:relative;top:auto;right:auto;bottom:0px;left:auto;}.ld_carousel_tab_6aa996b3497f9.carousel-dots-mobile.carousel-dots-mobile-outside .flickity-page-dots{margin-top:-20px;}@media (min-width: 768px) {.carousel-container.ld_carousel_tab_6aa996b3497f9 .carousel-item { width:50%; flex-basis: 50%; }}@media (min-width: 992px) {.carousel-container.ld_carousel_tab_6aa996b3497f9 .carousel-item { width:50%; flex-basis: 50%; }}@media (min-width: 1200px) {.carousel-container.ld_carousel_tab_6aa996b3497f9 .carousel-item { width:50%; flex-basis: 50%; }}<\/style><div id=\"ld_carousel_tab_6aa996b3497f9\" class=\"carousel-container carousel-nav-left carousel-nav-mobile-center no carousel-nav-md carousel-dots-mobile-center carousel-dots-style1 carousel-dots-mobile-outside ld_carousel_tab_6aa996b3497f9\">\n\n\t<div class=\"carousel-items\"  data-lqd-flickity='{\"cellSelector\":\".carousel-item\",\"cellAlign\":\"center\",\"prevNextButtons\":false,\"pageDots\":true,\"fullwidthSide\":true,\"groupCells\":true,\"wrapAround\":true,\"adaptiveHeight\":true,\"pauseAutoPlayOnHover\":false,\"buttonsAppendTo\":\"self\",\"addSlideNumbersToArrows\":false,\"dotsIndicator\":\"dots\",\"numbersStyle\":\"circle\",\"dotsAppendTo\":\"self\"}' >\n\t<div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1707&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1705&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1703&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1701&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1699&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1697&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1710&#8243;]<\/div><\/div><\/div>\t<\/div>\n\n<\/div>[\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>Nuragic writing: a sacred code?<\/h3>\n<p><span style=\"font-weight: 400;\">Nuragic inscriptions appear to be closely linked to <\/span><b>cultic and religious use<\/b><span style=\"font-weight: 400;\">. It is essentially a <\/span><b>hieroglyphic and cryptographic<\/b><span style=\"font-weight: 400;\"> form of writing, produced by an elite of <\/span><b>scribe-priests<\/b><span style=\"font-weight: 400;\"> with the aim not of spreading, but of <\/span><b>hiding knowledge<\/b><span style=\"font-weight: 400;\">. This approach recalls the system of <\/span><b>Egyptian hieroglyphics<\/b><span style=\"font-weight: 400;\">, used by priests to keep the profound meanings of sacred writings secret.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Further confirmation of the connection with Middle Eastern traditions comes from <\/span><b>Eusebius of Caesarea<\/b><span style=\"font-weight: 400;\">, who in his <\/span><i><span style=\"font-weight: 400;\">Praeparatio Evangelica<\/span><\/i><span style=\"font-weight: 400;\"> quotes<\/span><b> Philo of Alexandria<\/b><span style=\"font-weight: 400;\"> and the Phoenician priest <\/span><b>Sanchuniathon,<\/b><span style=\"font-weight: 400;\"> who claimed that<\/span><b> ancient sacred texts were deliberately cryptic <\/b><span style=\"font-weight: 400;\">to prevent people from fully understanding them.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:50px|margin_bottom_small:30px&#8221;][vc_column][vc_single_image image=&#8221;1713&#8243; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>Recent discoveries and connections with the Near East<\/h3>\n<p><span style=\"font-weight: 400;\">One of the most sensational discoveries in this field is the so-called <\/span><b>\u201cplaque of curses\u201d<\/b><span style=\"font-weight: 400;\"> found in 2022 on <\/span><b>Mount Ebal<\/b><span style=\"font-weight: 400;\">, in Israel. It is a lead plate from the 13th century BC that contains an inscription with the name <\/span><b>Yahu\/Yhwh<\/b><span style=\"font-weight: 400;\">, written with a combination of proto-Canaanite graphemes very similar to those found in Nuragic epigraphs.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In particular, an amphora shard found in the countryside of Orani bears the same formula \u201cYahu\u201d, reinforcing the connection between Nuragic Sardinia and the worship of Yahweh in the Syro-Palestinian area.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px|margin_bottom_small:30px&#8221;][vc_column][vc_single_image image=&#8221;1715&#8243; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>Writing and mystery<\/h3>\n<p><span style=\"font-weight: 400;\">The Nuragic inscriptions represent <\/span><b>one of the most fascinating discoveries<\/b><span style=\"font-weight: 400;\"> in the field of research on ancient Sardinia. They demonstrate not only that <\/span><b>the Nuragic Sardinians wrote<\/b><span style=\"font-weight: 400;\">, but that they <\/span><b>used a hybrid system between local tradition and Semitic influences<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The link with the cult of Yahweh and the Near East opens up new scenarios on the history of the Nuragic people, highlighting their role not as an isolated civilization, but as active <\/span><b>protagonists of the cultural and commercial routes of the Mediterranean<\/b><span style=\"font-weight: 400;\">. A field of study that deserves to be explored further, to rewrite the history of Sardinia and its relationship with the surrounding civilizations.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h2>Episode 4: The Houses of the Giants<\/h2>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610643039{margin-top: 30px !important;margin-bottom: 50px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/ACAfds-hchM&#8221; align=&#8221;center&#8221;][vc_column_text css=&#8221;.vc_custom_1739875981500{margin-top: 10px !important;margin-bottom: 0px !important;}&#8221;]<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #808080; font-size: 14px;\"><em>English subtitles<\/em><\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<span style=\"font-weight: 400;\">In the heart of Sardinia stands one of the most extraordinary expressions of the Nuragic civilization: the <\/span><b>tombs of the giants<\/b><span style=\"font-weight: 400;\">. These megalithic monuments, as imposing as they are mysterious, represent a fundamental piece in understanding the cult of the dead and the conception of the afterlife of this ancient population.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px|margin_bottom_small:30px&#8221;][vc_column][vc_single_image image=&#8221;1725&#8243; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>Structure and symbolism of the Tombs of the Giants<\/h3>\n<p><span style=\"font-weight: 400;\">The tombs of the giants are characterized by an <\/span><b>elongated burial chamber<\/b><span style=\"font-weight: 400;\">, closed by large stone slabs, and by a monumental facade that opens into a large <\/span><b>exedra<\/b><span style=\"font-weight: 400;\">, a ceremonial space for community rituals. The front elevation often features an arched<\/span><b> stele<\/b><span style=\"font-weight: 400;\">, a distinctive element of these tombs.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Curiously, the plan of the tombs resembles the <\/span><b>shape of a bull&#8217;s head<\/b><span style=\"font-weight: 400;\">, recalling the <\/span><b>symbolism of the bull<\/b><span style=\"font-weight: 400;\">, which in Nuragic culture had a sacred value and could represent <\/span><b>divine power and rebirth<\/b><span style=\"font-weight: 400;\">.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px|margin_bottom_small:30px&#8221;][vc_column]<style>.carousel-container.ld_carousel_tab_6aa996b349f7f .carousel-item{width:100%;flex-basis:100%;padding-inline-start:15px;padding-inline-end:15px;}.carousel-container.ld_carousel_tab_6aa996b349f7f .carousel-items{margin-inline-start:-15px;margin-inline-end:-15px;}.ld_carousel_tab_6aa996b349f7f.carousel-dots{position:relative;top:auto;right:auto;bottom:0px;left:auto;}.ld_carousel_tab_6aa996b349f7f.carousel-dots-mobile.carousel-dots-mobile-outside .flickity-page-dots{margin-top:-20px;}@media (min-width: 768px) {.carousel-container.ld_carousel_tab_6aa996b349f7f .carousel-item { width:50%; flex-basis: 50%; }}@media (min-width: 992px) {.carousel-container.ld_carousel_tab_6aa996b349f7f .carousel-item { width:50%; flex-basis: 50%; }}@media (min-width: 1200px) {.carousel-container.ld_carousel_tab_6aa996b349f7f .carousel-item { width:50%; flex-basis: 50%; }}<\/style><div id=\"ld_carousel_tab_6aa996b349f7f\" class=\"carousel-container carousel-nav-left carousel-nav-mobile-center no carousel-nav-md carousel-dots-mobile-center carousel-dots-style1 carousel-dots-mobile-outside ld_carousel_tab_6aa996b349f7f\">\n\n\t<div class=\"carousel-items\"  data-lqd-flickity='{\"cellSelector\":\".carousel-item\",\"cellAlign\":\"center\",\"prevNextButtons\":false,\"pageDots\":true,\"fullwidthSide\":true,\"groupCells\":true,\"wrapAround\":true,\"adaptiveHeight\":true,\"pauseAutoPlayOnHover\":false,\"buttonsAppendTo\":\"self\",\"addSlideNumbersToArrows\":false,\"dotsIndicator\":\"dots\",\"numbersStyle\":\"circle\",\"dotsAppendTo\":\"self\"}' >\n\t<div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1717&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1723&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1721&#8243;]<\/div><\/div><\/div><div class=\"carousel-item has-width\"><div class=\"carousel-item-inner\"><div class=\"carousel-item-content\">[vc_single_image image=&#8221;1719&#8243;]<\/div><\/div><\/div>\t<\/div>\n\n<\/div>[\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>The cult of the dead and the incubation rite<\/h3>\n<p><span style=\"font-weight: 400;\">Unlike the previous <\/span><b>domus de janas<\/b><span style=\"font-weight: 400;\"> (Neolithic underground tombs), the tombs of the giants shifted the cult from the private to the collective dimension. The exedra served as a meeting place for the community, witnessing a radical change in the way the Nuragic people conceived of death and their relationship with their ancestors.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Classical sources, such as <\/span><b>Aristotle<\/b><span style=\"font-weight: 400;\"> and<\/span><b> Philoponus<\/b><span style=\"font-weight: 400;\">, report the custom of the Sardinians of sleeping near the tombs to <\/span><b>cure nightmares and mental illnesses<\/b><span style=\"font-weight: 400;\">. This rite, known as <\/span><b>incubation<\/b><span style=\"font-weight: 400;\">, was also widespread in other ancient civilizations and suggests a conception of death not only as an end, but as a passage to a higher level of existence.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px|margin_bottom_small:30px&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1732&#8243; alignment=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1730&#8243; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>The False Door: a passage between two worlds?<\/h3>\n<p><span style=\"font-weight: 400;\">One of the most enigmatic elements of the tombs of the giants is the so-called <\/span><b>false door<\/b><span style=\"font-weight: 400;\">, a small opening in the center of the arched stele. This element, which did not act as a real entrance, has sparked debate among scholars about its meaning.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Some interpret the false door as a symbol of the passage between the world of the living and that of the dead, a concept widespread in many ancient cultures, including the Egyptian one. <\/span><b>Psalm 24 of the Bible<\/b><span style=\"font-weight: 400;\">, for example, mentions <\/span><b>eternal doors crossed by Yahweh<\/b><span style=\"font-weight: 400;\">, a reference that seems to echo the idea of a sacred passageway to another world.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px|margin_bottom_small:30px&#8221;][vc_column][vc_single_image image=&#8221;1728&#8243; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>Giants and mythology: biblical and Greek connections<\/h3>\n<p><span style=\"font-weight: 400;\">The term <\/span><i><span style=\"font-weight: 400;\">tombs of the giants<\/span><\/i><span style=\"font-weight: 400;\"> derives from popular tradition, which attributed these enormous sepulchers to legendary creatures. The <\/span><b>Bible itself speaks of giants<\/b><span style=\"font-weight: 400;\">, describing them as the <\/span><b>heroes of antiquity<\/b><span style=\"font-weight: 400;\">, sons of the Elohim and daughters of men. A similar concept is found in<\/span><b> Greek mythology<\/b><span style=\"font-weight: 400;\">, where <\/span><b>semi-divine heroes such as Heracles and Iolaus<\/b><span style=\"font-weight: 400;\"> play a central role in the colonization of Sardinia.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Greek sources, from <\/span><b>Pausanias<\/b><span style=\"font-weight: 400;\"> to <\/span><b>Diodorus Siculus<\/b><span style=\"font-weight: 400;\">, link <\/span><b>heroic figures<\/b><span style=\"font-weight: 400;\"> such as <\/span><b>Aristaeus, Norax and Iolaus<\/b><span style=\"font-weight: 400;\"> to Sardinia, describing them as civilizers and founders of cities. Some scholars hypothesize that the <\/span><b>Giants of Mont&#8217;e Prama<\/b><span style=\"font-weight: 400;\">, the majestic Nuragic statues from the Iron Age, represent these mythical heroes, used by the new elite to consolidate their power.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; responsive_css=&#8221;margin_top_large:30px|margin_bottom_large:60px|margin_bottom_small:30px&#8221;][vc_column][vc_single_image image=&#8221;1734&#8243; alignment=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h3>Beyond death: the spiritual journey of the Nuragic people<\/h3>\n<p><span style=\"font-weight: 400;\">The tombs of the giants are not only funerary monuments, but <\/span><b>testimonies of an ancestral cult<\/b><span style=\"font-weight: 400;\"> that blends myth, religion and society. The presence of the false door, the incubation rite and the connections with bull symbolism suggest a complex and structured world view, in which death is not a point of arrival, but a <\/span><b>passage to another dimension<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The similarities with biblical and Greek traditions raise intriguing questions: was the Nuragic civilization really isolated or was it part of a <\/span><b>Mediterranean cultural and spiritual network<\/b><span style=\"font-weight: 400;\">? An enigma that, between myth and archaeology, continues to fascinate and push research towards new discoveries.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1739867379545{margin-top: 30px !important;margin-bottom: 50px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_separator color=&#8221;black&#8221;][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610661138{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h2>Conclusion<\/h2>\n<p><span style=\"font-weight: 400;\">Our authors&#8217; journey into the <\/span><b>world of the Nuraghe<\/b><span style=\"font-weight: 400;\"> ends leaving many <\/span><b>questions and food for thought<\/b><span style=\"font-weight: 400;\">. Through these four episodes, the documentary offers an immersion into the <\/span><b>Nuragic civilization<\/b><span style=\"font-weight: 400;\">, revealing <\/span><b>cultural and religious connections<\/b><span style=\"font-weight: 400;\"> that link it to the great civilizations of the <\/span><b>ancient Mediterranean<\/b><span style=\"font-weight: 400;\">. From <\/span><b>writing and architecture<\/b><span style=\"font-weight: 400;\"> to <\/span><b>religion and monumental burials<\/b><span style=\"font-weight: 400;\">, the image that emerges is of a <\/span><b>sophisticated people, interconnected with the Near East and with an advanced knowledge of symbolism, astronomy and ritual practices<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><b>Mauro Biglino<\/b><span style=\"font-weight: 400;\"> and <\/span><b>Gian Matteo Corrias<\/b><span style=\"font-weight: 400;\"> have guided us on this journey, offering a vision of <\/span><b>Nuragic Sardinia<\/b><span style=\"font-weight: 400;\"> that is far from the idea of an <\/span><b>isolated and primitive<\/b><span style=\"font-weight: 400;\"> island. On the contrary, the <\/span><b>Nuragic people<\/b><span style=\"font-weight: 400;\"> appear to have been <\/span><b>key players in the Mediterranean landscape<\/b><span style=\"font-weight: 400;\">, capable of <\/span><b>influencing and absorbing different cultures<\/b><span style=\"font-weight: 400;\">. <\/span><b>Epigraphic and archaeological discoveries<\/b><span style=\"font-weight: 400;\"> suggest that <\/span><b>Sardinia<\/b><span style=\"font-weight: 400;\"> may have played a much more <\/span><b>central role than previously thought<\/b><span style=\"font-weight: 400;\">, with <\/span><b>contacts with Semitic civilizations and perhaps even a common religious matrix<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The documentary invites us to <\/span><b>continue exploring<\/b><span style=\"font-weight: 400;\">, to <\/span><b>question what we think we know<\/b><span style=\"font-weight: 400;\"> and to <\/span><b>open ourselves up to new possibilities<\/b><span style=\"font-weight: 400;\">. <\/span><b>Sardinia&#8217;s<\/b><span style=\"font-weight: 400;\"> past is still <\/span><b>to be rewritten<\/b><span style=\"font-weight: 400;\">, and the research continues.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row content_placement=&#8221;middle&#8221; css=&#8221;.vc_custom_1728660988175{padding-top: 40px !important;}&#8221; responsive_css=&#8221;padding_top_medium:50px|padding_top_small:40px&#8221;][vc_column enable_content_animation=&#8221;yes&#8221; ca_init_scale_x=&#8221;1&#8243; ca_init_scale_y=&#8221;1&#8243; ca_init_opacity=&#8221;0&#8243; ca_an_scale_x=&#8221;1&#8243; ca_an_scale_y=&#8221;1&#8243; ca_an_opacity=&#8221;1&#8243; align=&#8221;text-center&#8221; offset=&#8221;vc_col-md-offset-3 vc_col-md-6&#8243; css=&#8221;.vc_custom_1605624154640{margin-bottom: 40px !important;}&#8221; ca_duration=&#8221;1800&#8243; ca_delay=&#8221;180&#8243; ca_init_translate_y=&#8221;35&#8243; responsive_align=&#8221;text-center&#8221; responsive_css=&#8221;margin_bottom_medium:60px&#8221;]<style>.ld_fancy_heading_6aa996b34a2e4 .lqd-highlight-inner{height:0.275em!important;bottom:0px!important;}<\/style><div class=\"ld-fancy-heading ld_fancy_heading_6aa996b34a2e4\">\n\t<h3 class=\"ld-fh-element lqd-highlight-underline lqd-highlight-grow-left text-decoration-default\"   >  On the same topic<\/h3><\/div>[\/vc_column][vc_column css=&#8221;.vc_custom_1602156564948{margin-bottom: 25px !important;}&#8221; responsive_css=&#8221;margin_bottom_medium:80px|margin_bottom_small:25px&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;]<style>.ld_content_box_6aa996b354f99 .lqd-fb-content-title{font-size:28px;font-weight:500 !important;}.ld_content_box_6aa996b354f99:hover h2{color:rgb(255, 255, 255);}<\/style><div id=\"ld_content_box_6aa996b354f99\" class=\"lqd-fb lqd-fb-style-1 lqd-fb-style-1-3 round pos-rel overflow-hidden lqd-fb-zoom-img-onhover h-pt-50 ld_content_box_6aa996b354f99\" data-inview=\"true\">\n\t<div class=\"lqd-fb-inner lqd-overlay\">\n\n\t\t<div class=\"lqd-fb-img lqd-overlay overflow-hidden\">\n\n\t\t<figure data-responsive-bg=\"true\"><img decoding=\"async\" width=\"1930\" height=\"1081\" src=\"https:\/\/www.maurobiglino.com\/wp-content\/uploads\/2024\/09\/sardegna-nuragica.jpg\" class=\"w-100 invisible\" alt=\"\" srcset=\"https:\/\/www.maurobiglino.com\/wp-content\/uploads\/2024\/09\/sardegna-nuragica.jpg 1930w, https:\/\/www.maurobiglino.com\/wp-content\/uploads\/2024\/09\/sardegna-nuragica-300x168.jpg 300w, https:\/\/www.maurobiglino.com\/wp-content\/uploads\/2024\/09\/sardegna-nuragica-1024x574.jpg 1024w\" sizes=\"(max-width: 1930px) 100vw, 1930px\" itemprop=\"image\" \/><\/figure>\t\t<a href=\"https:\/\/www.maurobiglino.com\/en\/sardinia-on-the-trail-nuragic-civilization\/\" title=\"Sardinia on the trail of the Nuragic civilization\" class=\"liquid-overlay-link\"><\/a>\n\t\t<\/div>\n\n\t\t<div class=\"lqd-fb-content lqd-overlay align-items-end\">\n\t\t\t<div class=\"lqd-fb-bg lqd-overlay\"><\/div>\n\t\t\t<div class=\"lqd-fb-hover-overlay lqd-overlay\"><\/div>\n\t\t\t<div class=\"lqd-fb-content-inner d-flex flex-column justify-content-end pos-rel h-100 w-100 w-md-75 p-4 p-md-8\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t<div\n\t\t\t\tclass=\"lqd-fb-content-bottom mt-auto\"\n\t\t\t\tdata-custom-animations=\"true\"\n\t\t\t\tdata-ca-options='{ \"triggerHandler\": \"inview\", \"animationTarget\": \"all-childs\", \"duration\": 1200, \"delay\": 120,  \"startDelay\": 300, \"initValues\": { \"y\": 30, \"opacity\": 0 }, \"animations\": { \"y\": 0, \"opacity\": 1 } }'>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<h2\t\t\t\t\tclass=\"lqd-fb-content-title my-0 mb-3\"\n\t\t\t\t\tdata-split-text=\"true\" data-split-options='{ \"type\": \"lines\" }'><a href=\"https:\/\/www.maurobiglino.com\/en\/sardinia-on-the-trail-nuragic-civilization\/\" title=\"Sardinia on the trail of the Nuragic civilization\">Sardinia on the trail of the Nuragic civilization<\/a>\t\t\t\t\t<\/h2>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n<\/div>\n[\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row fade_scroll=&#8221;yes&#8221; enable_content_animation=&#8221;yes&#8221; animation_preset=&#8221;Fade In Up&#8221; css=&#8221;.vc_custom_1725610425174{padding-bottom: 30px !important;}&#8221;][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text el_class=&#8221;abstract&#8221;]The documentary \u201cJourney into the World of the Nuraghe\u201d accompanies the audience on a discovery of the Nuragic civilization, one of the most enigmatic and fascinating in the Mediterranean. Through the voices of Mauro Biglino and Gian Matteo Corrias, the journey winds through archaeological [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1635,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[179,50,60,100,176,154,182,180,155,181,59],"class_list":["post-1737","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","tag-archeology","tag-bible","tag-god","tag-israel","tag-nuraghe-en","tag-nuragic-civilization","tag-nuragic-cult","tag-nuragic-script","tag-sardinia","tag-tombs-of-the-giants","tag-yahweh-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Journey into the World of the Nuraghe - Mauro Biglino<\/title>\n<meta name=\"description\" content=\"The Nuragic civilization: a journey through nuraghe, tombs of the giants, mysterious script and ancient cults. 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